Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the. Check out Gubaidulina: In Croce / 10 Preludes / Quaternion by Alexander Ivashkin on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. “Written over a span of forty years, these compositions by Sofia Gubaidulina have become staples of the double bass literature. In Pantomime one immediately.

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Genre Chamber Music Classical. Drinking Hanging Out In Love. AllMusic Featured Composition Noteworthy. Sofia Gubaidulina, Galina Ustvolskaya: Chamber Music from Russia.

Composition Artist Credits Seven Words.

Sofia Gubaidulina – In Croce

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Both instruments center their activities on the note E. Chamber Music for Bayan.

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SOFIA GUBAIDULINA : In Croce – Works for Double Bass – CD – WERGO – Forced Exposure

Introspection Late Night Partying. This is a remarkable, compelling work. But in the major work on the record, the half-hour Seven Wordsthe sentences spoken by Jesus on the cross are graphically, even fervently implied. Share on facebook twitter tumblr. Gubaudulina the work progresses the two instruments begin to approach each other, eventually crossing in the most aggressive passage.


The work’s title can mean either “On the Cross” or “Cross-Wise,” and it carres a musical meaning, along with the obvious Vubaidulina one. Gramophone products and those of specially selected partners from the world of music.

GUBAIDULINA Seven Words. In croce. Kadenza. Et exspecto

The work’s ending is quiet and somber. Jazz Latin New Age. Et exspecto Spanish performers in spiritual utterances from Gubaidulina View record and artist details Record and Artist Details.

In Croce; Seven Last Words.

After some wild playing from both instruments, the mood grows hushed again; dissonant chords in the organ accompany the barest of textures from the cello as they both converge again on E. With In crocea number of cross-like ideas derive from the title — crossing of registers, crossing gubaidulnia lines and textures and so on — which are essentially private creative stimuli for the composer. Gramophone’s expert reviews easier than ever before.

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Roughly speaking, the organ or bayan begins the work playing comparatively diatonic music in the upper part of its register, while the cello plays spare tones in its lower register. One of the many works in which Sofiya Gubaydulina makes reference to Christian themes and imagery, In croce was composed in for cellist Vladimir Tonkha, who, along with organist Oleg Yanchenko gave the work its first performance in the concert hall of the Moscow Conservatory.

Later on, Gubaydulina began to incorporate the bayan, the Russian push-button accordion, into her works, and she and bayan player Elsbeth Moser rearranged In croce for cello and bayan in Romantic Evening Sex All Themes.

Streams Videos All Posts. In croce; Quaternion; Ten Preludes. Chamber Music with Double Bass.